WMS

The Ugly Truth (2009)

Directed by Robert Luketic

No — The Ugly Truth is not woke, scoring 5 out of 100 on our wokeness meter.

The Ugly Truth arrives from 2009, a romantic comedy in which a Sacramento morning show producer named Abby Richter is taught how to land a man by a correspondent named Mike Chadway, whose on-air philosophy holds that women should laugh at jokes, feign enthusiasm, and fake satisfaction in bed.

Consciousness Markers

🎭
Representation Casting12

The cast is overwhelmingly white, with Yvette Nicole Brown and Jesse D. Goins in minor supporting roles. There is no deliberate diverse casting agenda; the ensemble reflects standard 2009 rom-com defaults.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters, themes, or subtext whatsoever. The entire plot is organized around heterosexual courtship.

👑
Feminist Agenda0

The film is the opposite of a feminist text: it centers a chauvinistic male 'expert' lecturing a woman on how to perform submissiveness and fake sexual satisfaction to land a man. No feminist critique is offered.

✊
Racial Consciousness0

No engagement with racial politics or consciousness. Race is entirely unaddressed in the narrative.

🌱
Climate Crusade0

No environmental or climate content at all.

💰
Eat the Rich0

No critique of capitalism, wealth, or class. The setting is a workplace rom-com with no economic commentary.

💗
Body Positivity0

No body positivity themes. The film in fact leans on conventional beauty standards and the restaurant-scene gag plays on female sexual performance rather than body acceptance.

🧠
Neurodivergence0

No neurodivergent characters or themes are present.

📖
Revisionist History0

No historical subject matter to revise; it is a contemporary-set romantic comedy.

📢
Lecture Energy0

The film contains plenty of on-air 'lessons' from Mike Chadway, but they are regressive battle-of-the-sexes rants, not progressive moral instruction. No woke lecture energy.

Why it received this score

The Ugly Truth arrives from 2009, a romantic comedy in which a Sacramento morning show producer named Abby Richter is taught how to land a man by a correspondent named Mike Chadway, whose on-air philosophy holds that women should laugh at jokes, feign enthusiasm, and fake satisfaction in bed. The film presents this arrangement as a courtship. It presents the man as a truth-teller. By the closing balloon ride, the producer has abandoned her standards and the chauvinist has been rewarded with her affections, all of it broadcast live. The script, from the authors of Legally Blonde, mistakes volume for wit and cynicism for wisdom.

On the ledger of contemporary social consciousness, the film is close to a blank page. There is no LGBTQ content, no engagement with race, no environmental concern, no critique of wealth, no body acceptance, no neurodivergence, and no historical material to revise. The lecture energy is present in abundance, but it flows in reverse. Mike Chadway sermonizes at length, and every sermon argues for female compliance. The film offers no counter-argument, no corrective, and no self-awareness. A single small item appears in the credit column: Yvette Nicole Brown and Jesse D. Goins turn up in minor supporting roles, unremarked and undeveloped. That is the entirety of the film's representational gesture.

Critics were unkind. The film holds a 14 percent rating, and the consensus blamed a weak script and the reliable machinery of the genre. Audiences disagreed, awarding it an A minus and handing it $205 million worldwide. So we have a commercial hit that the critical establishment dismissed and that the culture has since left behind. It is not offensive in any novel way. It is simply a 2009 romantic comedy doing exactly what 2009 romantic comedies did, with a straight face and a profitable one.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Robert Luketic
Cast: Katherine Heigl, Gerard Butler, Eric Winter, Nick Searcy, Bree Turner, John Michael Higgins, Kevin Connolly, Cheryl Hines
Genres: Comedy, Romance

Synopsis

A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

Questions about The Ugly Truth

Is The Ugly Truth woke?

No — The Ugly Truth is not woke, scoring 5 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does The Ugly Truth have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 12.

How does The Ugly Truth compare to other 2009 movies?

It ranks #154 of the 230 films from 2009 we've scored; their average is 14. The wokest is Home (79).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

Related rankings