WMS

Superman: Doomsday (2007)

Directed by Lauren Montgomery

No — Superman: Doomsday is not woke, scoring 7 out of 100 on our wokeness meter.

Superman: Doomsday arrived in 2007 as the inaugural entry in the DC Universe Animated Original Movies line, a direct-to-video adaptation of the comic storyline in which the Man of Steel is beaten to death by a genetically engineered brute and subsequently resurrected.

Consciousness Markers

👑
Feminist Agenda20

Lois Lane is proactive — she tranquilizes Luthor, rescues hostages, and drives the investigation — and the film is directed by a woman (Lauren Montgomery). But this is standard capable-heroine characterization rather than a feminist thesis.

🎭
Representation Casting10

The voice cast is overwhelmingly white, with Cree Summer and Kimberly Brooks as the only notable performers of color in supporting roles. No deliberate diversity-driven casting agenda is evident.

💰
Eat the Rich10

Lex Luthor is a corrupt corporate titan whose company unleashes Doomsday, but this is classic comic-book villainy rather than an 'eat the rich' polemic.

📢
Lecture Energy5

The film is an action-driven superhero story with only faint moralizing about Superman's protective values; it does not lecture the audience on social issues.

🏳️‍🌈
LGBTQ+ Themes0

There are no LGBTQ+ characters, relationships, or themes anywhere in the film.

✊
Racial Consciousness0

No engagement with racial themes or racial justice whatsoever; the story is a straightforward superhero death-and-return narrative.

🌱
Climate Crusade0

No environmental or climate themes appear in the film.

💗
Body Positivity0

No body-positivity themes or messaging are present.

🧠
Neurodivergence0

No neurodivergent characters or themes are depicted.

📖
Revisionist History0

The film adapts the Death of Superman comic faithfully in spirit and makes no attempt to revise or reinterpret history.

Why it received this score

Superman: Doomsday arrived in 2007 as the inaugural entry in the DC Universe Animated Original Movies line, a direct-to-video adaptation of the comic storyline in which the Man of Steel is beaten to death by a genetically engineered brute and subsequently resurrected. It sold briskly, moved roughly 680,000 units, and earned a PG-13 for its violence, a first for an animated Superman project. The enterprise is efficient, grim, and entirely uninterested in the social questions that would come to dominate the following decade. Doomsday himself appears briefly, does his damage, and exits. The title oversells his participation.

Lois Lane does the heavy lifting. She tranquilizes Lex Luthor, searches his files, and rescues hostages from a mechanical spider while the men around her drink themselves into stupors or take jobs at tabloids. Lauren Montgomery directs, and the film grants its heroine competence and screen time. None of this amounts to a thesis. It is the standard capable-heroine characterization that superhero animation had managed for years. Lex Luthor, meanwhile, runs a corporation that unearths the monster and murders its own employees, which reads as familiar comic-book villainy instead of an argument about capital. The film's moral instruction is limited to the occasional reminder that Superman protects people. It does not lecture. It punches.

What the film does not contain is equally instructive. There is no LGBTQ material, no engagement with race, no environmental concern, no body-positivity messaging, and no neurodivergent characters. The narrative follows the source comic in spirit, revising nothing. The voice cast is overwhelmingly white, with Cree Summer and Kimberly Brooks appearing in supporting roles; no casting agenda is discernible. Released in 2007, the film predates the cultural turn that would reshape studio animation's priorities, and its sensibilities belong to an earlier era of straightforward heroism. A somber, workmanlike piece, then, and a useful baseline. Future entries in this line would find other things to say.

Analysis generated by our Consciousness Algorithm

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Director: Lauren Montgomery
Cast: Adam Baldwin, Anne Heche, James Marsters, John DiMaggio, Swoosie Kurtz, Tom Kenny, Ray Wise, Cree Summer
Genres: Action, Animation, Science Fiction

Synopsis

When LexCorp accidentally unleashes a murderous creature, Superman meets his greatest challenge as a champion. Based on the "The Death of Superman" storyline that appeared in DC Comics' publications in the 1990s.

Questions about Superman: Doomsday

Is Superman: Doomsday woke?

No — Superman: Doomsday is not woke, scoring 7 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Superman: Doomsday have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Feminist Agenda at 20.

How does Superman: Doomsday compare to other 2007 movies?

It ranks #108 of the 201 films from 2007 we've scored; their average is 12. The wokest is Like Stars on Earth (92).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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