WMS

Thanks for Sharing (2013)

Directed by Stuart Blumberg

No — Thanks for Sharing is not woke, scoring 8 out of 100 on our wokeness meter.

Thanks for Sharing arrives from 2013 with a premise that sounds like a dare: three men in a New York twelve-step program for sex addiction, bound together by sponsorship and the shared humiliation of a condition the culture had only recently agreed to name.

Consciousness Markers

📢
Lecture Energy20

The recovery-group structure lends some didactic, twelve-step moralizing about honesty and trust, but the film dramatizes rather than lectures, keeping the sermonizing mild.

🎭
Representation Casting18

The cast includes a few minority performers (Isiah Whitlock Jr., P!nk) in supporting roles, but the film makes no effort to foreground diverse casting as a statement; the ensemble is assembled for talent, not representation.

👑
Feminist Agenda18

Female characters (Phoebe, Dede, Katie) have their own arcs touching on trust issues and abusive exes, but the film is a conventional relationship drama rather than a vehicle for a feminist agenda.

🏳️‍🌈
LGBTQ+ Themes0

There are no LGBTQ+ characters, relationships, or themes anywhere in the film's sex-addiction recovery narrative.

✊
Racial Consciousness0

Race is never a subject of the film; minority characters exist naturally in the story without any commentary on racial dynamics.

🌱
Climate Crusade0

No environmental or climate themes appear in this New York-set addiction drama.

💰
Eat the Rich0

The film has no economic critique or anti-capitalist messaging; it is focused entirely on personal recovery.

💗
Body Positivity0

Body image and body positivity are not addressed; the film's focus is behavioral addiction, not physical self-acceptance.

🧠
Neurodivergence0

Sex addiction is treated as a compulsive disorder, not framed through a neurodivergence lens; no neurodivergent identity is explored.

📖
Revisionist History0

The film is a fictional contemporary story with no historical revisionism of any kind.

Why it received this score

Thanks for Sharing arrives from 2013 with a premise that sounds like a dare: three men in a New York twelve-step program for sex addiction, bound together by sponsorship and the shared humiliation of a condition the culture had only recently agreed to name. Stuart Blumberg directs his own script with the patience of a group facilitator, letting Mark Ruffalo, Tim Robbins, and Josh Gad cycle through relapse, confession, and small increments of progress. The movie wants to be a romcom and a recovery drama at once, and it never quite decides, which is the sort of indecision that reads as honesty more often than it should.

The ensemble includes Isiah Whitlock Jr. and the pop singer Alecia Moore, billed as P!nk, in supporting turns, and both are good in the unremarkable way that good supporting turns are good. Moore's Dede has an abusive ex and a sponsor she cannot reach, and she gets a genuine arc about learning to be friends with a man. Gwyneth Paltrow's Phoebe has trust issues of her own. The film treats these women as people with problems, not as vehicles for an argument, and that restraint now looks almost quaint. Nobody here is asked to represent anything larger than themselves.

There is a little moralizing in the group scenes, the inevitable twelve-step catechism about honesty and accountability, but the film prefers to dramatize the shame instead of explaining it. Race is not a subject. Class is not a subject. The environment, the economy, and the body are not subjects. What remains is a modest, uneven, occasionally affecting piece of grown-up American filmmaking, and the sommelier's verdict is a light one.

Analysis generated by our Consciousness Algorithm

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Director: Stuart Blumberg
Genres: Comedy, Drama
Studios: Olympus Pictures, Class 5 Films, Voltage Pictures

Synopsis

A romantic comedy that brings together three disparate characters who are learning to face a challenging and often confusing world as they struggle together against a common demon—sex addiction.

Questions about Thanks for Sharing

Is Thanks for Sharing woke?

No — Thanks for Sharing is not woke, scoring 8 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Thanks for Sharing have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Lecture Energy at 20.

How does Thanks for Sharing compare to other 2013 movies?

It ranks #137 of the 274 films from 2013 we've scored; their average is 14. The wokest is Belle (76).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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