WMS

What's Your Number? (2011)

Directed by Mark Mylod

No — What's Your Number? is not woke, scoring 8 out of 100 on our wokeness meter.

What's Your Number? arrives from 2011, a Boston-set romantic comedy in which Anna Faris plays a woman who reads a magazine article claiming that any woman who has taken twenty or more lovers is unlikely to marry.

Consciousness Markers

🎭
Representation Casting22

A standard studio romcom ensemble with a couple of non-white supporting players (notably Tika Sumpter) who exist without comment; no deliberate diversity-driven casting agenda.

👑
Feminist Agenda10

A female protagonist anchors the story, but the premise is built on a magazine article warning women that too many lovers ruins their marriage prospects, and the arc resolves toward landing a husband. This is the opposite of a feminist agenda.

📢
Lecture Energy5

A breezy, joke-driven comedy that never pauses to deliver a social message or moral lesson.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters, themes, or subtext of any kind.

✊
Racial Consciousness0

No engagement with race as a theme; minority characters are present but unremarked upon.

🌱
Climate Crusade0

No environmental or climate content whatsoever.

💰
Eat the Rich0

The heroine is laid off from a marketing job, but this is a plot device for her dating quest, not a critique of capitalism.

💗
Body Positivity0

The running gag of 'Disgusting Donald,' the formerly overweight ex now deemed worthy because he got hot, actively reinforces rather than challenges body-shaming norms.

🧠
Neurodivergence0

No neurodivergent characters or themes.

📖
Revisionist History0

No historical subject matter to revise.

Why it received this score

What's Your Number? arrives from 2011, a Boston-set romantic comedy in which Anna Faris plays a woman who reads a magazine article claiming that any woman who has taken twenty or more lovers is unlikely to marry. She is at nineteen. The rest of the runtime concerns her hunt for a husband among her ex-boyfriends, a scheme to freeze the tally where it stands. A studio once found this charming. The years have not been kind.

On the matter of social consciousness, the film is a near-vacuum. Tika Sumpter appears among the supporting players, present and unremarked upon, which was the studio comedy norm of the moment. There is no engagement with race as a subject, no LGBTQ presence, no environmental concern, no economic critique, no interest in neurodivergence. The layoff that opens the plot is a device for the dating quest, not an indictment of anything. A running gag concerns a former boyfriend once known as Disgusting Donald, now slim and therefore marriageable, a joke that reinforces the very standards it might have questioned. The film's attitude toward its heroine supplies its quietest discomfort. Ally's arc ends not in self-acceptance but in the discovery that her number is, after all, exactly twenty, and that Colin is the twentieth and presumably final entry. The resolution is a punchline about the count, not a rejection of it. A woman at the center of a story is not the same as a feminist story, and this one treats its protagonist's worth as arithmetic.

A brisk, joke-driven comedy, it never stops to instruct. There is no sermon to deliver, no moral to append, no lecture at the close. The film simply wants to be liked, and it largely is not, earning a critical drubbing and a modest box office. Its cultural footprint is faint. To the classifier it presents a tidy specimen: a romantic comedy built on the belief that a woman's romantic history is a liability, delivered with a smile and no apparent awareness that anyone might object. We file it accordingly, without malice, and move on.

Analysis generated by our Consciousness Algorithm

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Director: Mark Mylod
Cast: Anna Faris, Chris Evans, Ari Graynor, Blythe Danner, Ed Begley Jr., Oliver Jackson-Cohen, Heather Burns, Eliza Coupe
Genres: Comedy, Romance

Synopsis

Ally Darling is realizing she's a little lost in life. Her latest romance has just fizzled out, and she's just been fired from her marketing job. Then she reads an eye-opening magazine article that warns that 96 percent of women who've been with 20 or more lovers are unlikely to find a husband. Determined to turn her life around and prove the article wrong, Ally embarks on a mission to find the perfect mate from among her numerous ex-boyfriends.

Questions about What's Your Number?

Is What's Your Number? woke?

No — What's Your Number? is not woke, scoring 8 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does What's Your Number? have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 22.

How does What's Your Number? compare to other 2011 movies?

It ranks #107 of the 245 films from 2011 we've scored; their average is 11. The wokest is Paul (68).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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