
My Super Ex-Girlfriend (2006)
Directed by Ivan Reitman
No — My Super Ex-Girlfriend is not woke, scoring 9 out of 100 on our wokeness meter.
Released in the summer of 2006, My Super Ex-Girlfriend arrives with the confidence of a studio comedy and the shelf life of a forgotten sitcom.
Consciousness Markers
The cast includes Wanda Sykes in a supporting role and a generally mixed ensemble, but the leads are white and diversity is incidental rather than a stated priority.
Despite a female superhero lead, the film was widely criticized for having its superwoman embody sexist clichés of the needy, jealous, borderline ex-girlfriend; it is a cautionary portrayal rather than a feminist statement.
No LGBTQ+ characters, themes, or subtext appear anywhere in the film.
No engagement with race, racism, or racial identity as a theme.
No environmental or climate themes whatsoever.
No critique of capitalism, wealth, or class; the protagonist is a corporate architect and the film takes his professional world for granted.
No body positivity themes; the film leans on conventional attractiveness for its leads.
A psychologist's retrospective reading of Jenny as having borderline personality disorder is external criticism, not a theme the film itself explores or affirms.
No historical revisionism; the film is a contemporary original superhero comedy.
The film is a broad romantic comedy spoof with no preachy messaging or moral instruction.
Why it received this score
Released in the summer of 2006, My Super Ex-Girlfriend arrives with the confidence of a studio comedy and the shelf life of a forgotten sitcom. Ivan Reitman directs Uma Thurman as Jenny Johnson, a reluctant superheroine whose romantic neediness curdles into full-scale revenge once Luke Wilson's architect ends the relationship. The premise is a Fatal Attraction spoof with a cape, and the film never quite decides whether it is satirizing the genre or simply borrowing its furniture. The jokes land sporadically. The tone does not.
As a document of social consciousness, the film is nearly inert. Wanda Sykes appears in support, and the ensemble is pleasant enough, but the casting reflects the ordinary habits of 2006 rather than any stated commitment to representation. There is no engagement with race, no environmental concern, no critique of the corporate world Matt inhabits, no body politics, no LGBTQ presence. The film does not lecture. It has nothing to say.
The one place where the film invites scrutiny is its central woman. A female superhero should be a gift, and Thurman plays her with real comic timing, but the script saddles her with the jealous, needy, stalker template that critics at the time flagged as sexist. It is a cautionary portrait of a woman with power, not a celebration of one. The result is a comedy that mistakes a tired gender cliché for a punchline. We are left with a modest box-office performer, a mixed critical reception, and the faint sense that everyone involved deserved better material.
Analysis generated by our Consciousness Algorithm
Synopsis
When New York architect Matt Saunders dumps his new girlfriend Jenny Johnson—a smart, sexy, and reluctant superhero known as G-Girl—she uses her powers to make his life a living hell.
Questions about My Super Ex-Girlfriend
Is My Super Ex-Girlfriend woke?
No — My Super Ex-Girlfriend is not woke, scoring 9 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.
Does My Super Ex-Girlfriend have any woke elements?
Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 22.
How does My Super Ex-Girlfriend compare to other 2006 movies?
It ranks #75 of the 211 films from 2006 we've scored; their average is 11. The wokest is An Inconvenient Truth (92).
How is the Woke Score calculated?
An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.