
A Perfect Plan (2012)
Directed by Pascal Chaumeil
No — A Perfect Plan is not woke, scoring 3 out of 100 on our wokeness meter.
A Perfect Plan arrives from 2012, a French romantic farce in which a successful woman named Isabelle, played by Diane Kruger, resolves to marry a stranger and divorce him promptly, all to sidestep a family curse that dooms every first marriage.
Consciousness Markers
The plot centers on a successful woman scheming to control her romantic fate, but it resolves into a conventional marriage-and-happily-ever-after arc with no feminist critique.
The cast is entirely white European, with no diverse or non-traditional casting choices of note.
No LGBTQ+ characters, themes, or subtext appear anywhere in this heterosexual rom-com.
Race is entirely absent as a subject; the film is a white, Eurocentric romantic comedy.
No environmental or climate themes whatsoever.
No economic critique; the characters are comfortable professionals and the film has no interest in class or wealth.
No body-positivity themes or messaging.
No neurodivergent characters or themes.
No historical subject matter to revise.
A lightweight farce with no preachy or didactic messaging.
Why it received this score
A Perfect Plan arrives from 2012, a French romantic farce in which a successful woman named Isabelle, played by Diane Kruger, resolves to marry a stranger and divorce him promptly, all to sidestep a family curse that dooms every first marriage. The stranger is Jean-Yves, a travel-guide editor played by Dany Boon, and the machinery of the plot drags him through Copenhagen and Moscow in service of a scheme any reasonable adult would abandon in the first reel. The film is light, brisk, and entirely untroubled by the weight of the world outside its frame.
This is a romantic comedy of the old school, and it makes no apologies for the fact. The cast is uniformly white and European, and the film has no interest in commenting on that, which is less a failing than a description. Race never enters the conversation. Neither does class, though the characters are comfortable professionals who could presumably afford the topic. There is no environmental anxiety, no economic critique, no meditation on bodies or brains or contested history. The film's single gesture toward a social idea is Isabelle's insistence on controlling her own romantic destiny, and even that is folded neatly into a wedding-and-happily-ever-after resolution before the credits roll. Any subversion is promptly defused.
What remains is craft and charm, deployed without agenda. The humor is situational, the pacing agreeable, the whole affair concluded before it can offend anyone. For viewers seeking confirmation that some films simply wish to be pleasant, this one qualifies. It is a vintage of modest ambition, best served cold and not discussed at length afterward.
Thematic tags: none apply. This is an original French production with no awards, no franchise lineage, no source novel, no historical basis, no capes, and no domestic box office crown. It is, in the most literal sense, just a movie about a woman who wants to get married twice on purpose.
Analysis generated by our Consciousness Algorithm
Part of
Synopsis
Successful woman in love tries to break her family curse of every first marriage ending in divorce, by dashing to the altar with a random stranger before marrying her boyfriend.
Questions about A Perfect Plan
Is A Perfect Plan woke?
No — A Perfect Plan is not woke, scoring 3 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.
Does A Perfect Plan have any woke elements?
Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Feminist Agenda at 5.
How does A Perfect Plan compare to other 2012 movies?
It ranks #178 of the 230 films from 2012 we've scored; their average is 12. The wokest is Killing Them Softly (92).
How is the Woke Score calculated?
An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.