Suck Me Shakespeer 2 (2015)

Suck Me Shakespeer 2 is a German sequel that sends a rowdy teacher and his class to Thailand to recover diamonds and repair a school's reputation. The ensemble is casually polyglot by German standards, with Turkish, Moroccan, and other immigrant backgrounds represented among the students and staff. Thai villagers and orphans appear as well. This diversity functions as texture, not as a sermon. There is no LGBTQ presence anywhere in the film. Female characters like Lisi and Chantal do drive subplots, and the girls stage nudes to blackmail a male teacher, but the movie treats gender as another slapstick prop. It is not a feminist tract.

Race and poverty get more screen time. The plot involves poor Thai orphans from the 2004 tsunami, a German-Thai school partnership, and cross-cultural cooperation. The film treats these matters as comedic backdrop, not as an explicit social critique. A subplot has Thai kids growing marijuana for a company that keeps the profits while they remain in poverty. Zeki burns the lab, which gives the film a modest eat-the-rich beat. Climate concerns are absent. Body positivity is absent too. The humor leans on nudity gags and mockery. Neurodivergence does appear: Etienne is explicitly identified as having Asperger syndrome, and Chantal attempts to seduce him. That element is genuine, though handled with broad comedy.

Historical revisionism is not on the agenda. This is contemporary slapstick. The moral messaging is light: help the poor Thai kids, mend family relationships. It is played for laughs, not delivered as a sermon. The film's social awareness is opportunistic. It wants credit for warmth while chasing diamonds and staging vending machine pranks. We are left with a sequel that is very successful, very broad, and only as progressive as the plot requires. A modest vintage, best served cold.