WMS

Retribution (2023)

Directed by Nimród Antal

No — Retribution is not woke, scoring 9 out of 100 on our wokeness meter.

Retribution arrives as the third remake of the 2015 Spanish thriller El desconocido, which means the cultural recycling program is now operating at industrial scale.

Consciousness Markers

🎭
Representation Casting28

The cast features Noma Dumezweni as a Black Europol agent and Arian Moayed in a supporting role, giving the film a broadly multiethnic ensemble, though these characters exist naturally within the thriller without any commentary on their identity.

💰
Eat the Rich15

The plot hinges on a corrupt CEO embezzling a slush fund and framing his employee, giving a faint white-collar-crime veneer, but it is framed as personal betrayal rather than a systemic critique of capitalism.

👑
Feminist Agenda10

Angela Brickmann is a competent female Europol agent, but her presence is functional genre casting rather than any articulated feminist argument.

📢
Lecture Energy8

The script includes periodic info-dump exposition explaining the financial scheme, but it never stops to lecture the audience on social or political themes.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters, relationships, or themes appear anywhere in the film.

✊
Racial Consciousness0

The film features minority characters in authority and supporting roles but makes no thematic point about race whatsoever.

🌱
Climate Crusade0

A power plant serves as an action set piece, but there is no environmental or climate message in the film.

💗
Body Positivity0

No body positivity themes or content of any kind.

🧠
Neurodivergence0

No neurodivergent characters or themes are present.

📖
Revisionist History0

The film is a straightforward contemporary thriller remake with no historical revisionism.

Why it received this score

Retribution arrives as the third remake of the 2015 Spanish thriller El desconocido, which means the cultural recycling program is now operating at industrial scale. Liam Neeson sits in a car in Berlin with a bomb beneath his seat and two children in the back, and for the next ninety minutes he follows instructions from a distorted voice. The film is competent in the way a municipal parking garage is competent. It holds vehicles. Nimrod Antal extracts a certain twitchy suspense from close-ups of a man deciding whether his patience or his upholstery will fail first.

On the matter of social consciousness, the film presents a broadly multiethnic ensemble. Noma Dumezweni plays a Europol agent, Arian Moayed appears as a doomed client, and neither performance carries any commentary about identity. They are people doing jobs in a thriller, which is the oldest and least taxing form of inclusion. The plot gestures toward a critique of corporate greed: a CEO named Anders Muller has embezzled 208 million euros into a crypto account and frames his subordinate. This is a white-collar crime story, not an indictment of the system that produced it. The betrayal is personal. The villain wanted money. Nobody mentions shareholder democracy.

The script stops periodically to explain the financial scheme, and these info dumps have the texture of a compliance seminar delivered at gunpoint. There is no feminism here beyond a woman holding a badge, no environmental message beyond a power plant used as a backdrop, and no interest whatsoever in the inner lives of anyone who is not Liam Neeson. The film is a machine for generating moderate tension, and it runs. It simply has nothing on its mind. A C grade from CinemaScore feels generous.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Nimród Antal
Cast: Liam Neeson, Lilly Aspell, Jack Champion, Matthew Modine, Noma Dumezweni, Embeth Davidtz, Arian Moayed, Emily Kusche
Genres: Thriller, Action, Adventure
Studios: The Picture Company, Ombra Films, StudioCanal, TF1 Films Production, Studio Babelsberg

Synopsis

When a mysterious caller plants a bomb under his car seat, a bank executive begins a high-speed chase across the city to complete a specific series of tasks — all with his kids trapped in the back seat.

Questions about Retribution

Is Retribution woke?

No — Retribution is not woke, scoring 9 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Retribution have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 28.

How does Retribution compare to other 2023 movies?

It ranks #154 of the 200 films from 2023 we've scored; their average is 24. The wokest is Origin (84).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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