WMS

Die My Love (2025)

Directed by Lynne Ramsay

No — Die My Love is not woke, scoring 18 out of 100 on our wokeness meter.

Lynne Ramsay's Die My Love is a 2025 psychological drama adapted from Ariana Harwicz's novel, and it follows Grace (Jennifer Lawrence) and Jackson (Robert Pattinson) as they trade New York for an inherited house in rural Montana.

Consciousness Markers

👑
Feminist Agenda35

The film centers on a woman's psychological unraveling and critique of domestic expectations, directed by a woman and based on a novel by a woman, but it is not an overtly political feminist manifesto.

🎭
Representation Casting20

The cast is predominantly white, with LaKeith Stanfield in a supporting role. No overt color-conscious casting or commentary on representation.

📢
Lecture Energy15

The film raises awareness of postpartum mental health but does so through an intense character study rather than a preachy, lecture-like tone.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters or themes are present in the narrative.

✊
Racial Consciousness0

The story is set in rural Montana with a white couple; no racial themes or commentary are explored.

🌱
Climate Crusade0

There are no environmental or climate-related themes.

💰
Eat the Rich0

The film focuses on personal psychological drama; no anti-capitalist or class-based critique is present.

💗
Body Positivity0

No body positivity themes or diverse body representation are featured.

🧠
Neurodivergence0

The protagonist suffers from postpartum psychosis, but the film does not frame this as neurodivergence or promote neurodiversity awareness.

📖
Revisionist History0

The film is a psychological drama based on a novel, not a historical revisionist work.

Why it received this score

Lynne Ramsay's Die My Love is a 2025 psychological drama adapted from Ariana Harwicz's novel, and it follows Grace (Jennifer Lawrence) and Jackson (Robert Pattinson) as they trade New York for an inherited house in rural Montana. A baby arrives. Jackson disappears into work. Grace disappears into herself. The film is a slow, stylized descent into postpartum psychosis, shot on 35mm in Academy ratio with lenses that appear to have been lightly toasted. It premiered at Cannes, where it earned a six-minute standing ovation, and then met American audiences with a CinemaScore of D+, which is the sound of a room full of people realizing they have not bought a ticket to a cozy rural drama.

The film's social consciousness is present but restrained. Grace's unraveling is framed through domestic isolation and the expectations of motherhood, and the creative team is led by women, so a feminist reading is available without being insisted upon. The cast is predominantly white, with LaKeith Stanfield in a supporting role, and the film makes no comment on that arrangement. There is no LGBTQ content, no racial thesis, no climate parable, no class critique, no body positivity thread, and no attempt to reframe postpartum psychosis as neurodivergence. The film raises awareness of maternal mental health by immersion, not by sermon. It is a character study first and a statement second, if at all.

Lawrence remains committed and unguarded, and Ramsay arranges the decay with jeweler's patience. The result is a harrowing, occasionally maddening piece of work that trusts the audience to sit with discomfort. It is a film about a woman coming apart in a house that will not stop being a house. The cultural agenda, such as it is, stays mostly in the background, which is where it belongs in a film this committed to the interior.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Lynne Ramsay
Cast: Jennifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield, Nick Nolte, Gabrielle Rose, Clare Coulter, Sarah Lind
Genres: Drama
Studios: Excellent Cadaver, Sikelia Productions, Black Label Media

Synopsis

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Questions about Die My Love

Is Die My Love woke?

No — Die My Love is not woke, scoring 18 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Die My Love have any woke elements?

1 of the 10 markers register at 30 or above, led by Feminist Agenda (35). On Feminist Agenda: The film centers on a woman's psychological unraveling and critique of domestic expectations, directed by a woman and based on a novel by a woman, but it is not an overtly political feminist manifesto.

How does Die My Love compare to other 2025 movies?

It ranks #107 of the 217 films from 2025 we've scored; their average is 26. The wokest is STRAW (92).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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