WMS

Thirteen Lives (2022)

Directed by Ron Howard

No — Thirteen Lives is not woke, scoring 9 out of 100 on our wokeness meter.

Ron Howard approaches the Tham Luang cave rescue the way a surveyor approaches a sinkhole: carefully, with instruments, and without much appetite for commentary.

Consciousness Markers

🎭
Representation Casting18

The film centers a trio of white British cave divers as the pivotal rescuers, a casting choice that generated 'white savior' criticism rather than woke plaudits; Thai performers appear largely in supporting roles without any representational fanfare.

✊
Racial Consciousness18

The end credits note the coach and three boys were stateless and granted Thai citizenship, a quiet ethnic/legal-identity footnote, but the film never builds a racial-consciousness thesis around it.

📢
Lecture Energy8

Ron Howard delivers a steady, restrained procedural that resists sermonizing; the film honors its heroes and mourns its dead without turning to the camera to lecture.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters, relationships, or themes appear anywhere in the narrative.

👑
Feminist Agenda0

Women appear primarily as anxious mothers and villagers; the film makes no feminist argument and centers male divers, SEALs, and officials throughout.

🌱
Climate Crusade0

The rainstorm and cave flooding are the physical antagonist, not a climate-change parable; no environmental messaging is present.

💰
Eat the Rich0

Mortensen criticized Amazon's greed in interviews, but no anti-capitalist theme exists on screen; the farmers' sacrifice is framed as communal generosity, not class warfare.

💗
Body Positivity0

No body-positivity themes or commentary of any kind.

🧠
Neurodivergence0

No neurodivergent characters or themes are depicted.

📖
Revisionist History0

A fairly faithful dramatization of the 2018 Tham Luang rescue with no historical revisionism toward any ideological end.

Why it received this score

Ron Howard approaches the Tham Luang cave rescue the way a surveyor approaches a sinkhole: carefully, with instruments, and without much appetite for commentary. The rain falls, the tunnels flood, and a small army of divers, soldiers, engineers, and farmers does the work. There are no speeches to camera. No character turns to explain what it all means. The film simply proceeds, which in 2022 counts as a stylistic choice.

The casting drew the expected grumbling. Three white British divers carry the rescue's decisive turns, while the Thai boys, their coach, and the Navy SEALs occupy the frame around them. The film does not defend the arrangement, nor does it interrogate it. A closing title card notes that the coach and three of the boys were stateless and were granted citizenship, a fact the movie mentions once and then leaves alone. Elsewhere, the women are mothers waiting at the cave mouth, and the movie seems content to let them wait.

The refusals matter as much as the inclusions. The storm is weather, not a warning about the planet. The farmers who flood their own fields to save the boys are generous neighbors, not a lesson about extraction or greed. A Thai SEAL drowns, and the film mourns him without converting the loss into an argument. The result is a competent, somber, faintly anonymous picture. It respects its subjects. It does not presume to instruct us about them, and for that restraint, at this late date, we may be grateful.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Ron Howard
Cast: Viggo Mortensen, Colin Farrell, Joel Edgerton, Tom Bateman, Paul Gleeson, Teeradon Supapunpinyo, Girati Sugiyama, Pasakorn Hoyhon
Genres: Drama, Thriller
Studios: Imagine Entertainment, Storyteller Productions, Magnolia Mae Films, Metro-Goldwyn-Mayer, Bron Studios

Synopsis

Based on the true nail-biting mission that captivated the world. Twelve boys and the coach of a Thai soccer team explore the Tham Luang cave when an unexpected rainstorm traps them in a chamber inside the mountain. Entombed behind a maze of flooded cave tunnels, they face impossible odds. A team of world-class divers navigate through miles of dangerous cave networks to discover that finding the boys is only the beginning.

Questions about Thirteen Lives

Is Thirteen Lives woke?

No — Thirteen Lives is not woke, scoring 9 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Thirteen Lives have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Racial Consciousness at 18.

How does Thirteen Lives compare to other 2022 movies?

It ranks #161 of the 223 films from 2022 we've scored; their average is 22. The wokest is Bros (92).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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