WMS

Stillwater (2021)

Directed by Tom McCarthy

No — Stillwater is not woke, scoring 13 out of 100 on our wokeness meter.

Tom McCarthy's Stillwater sends an Oklahoma roughneck named Bill Baker to Marseille, where he loiters outside a prison, mistranslates his way through a legal system he cannot parse, and gradually installs himself in the life of a French single mother and her daughter.

Consciousness Markers

🎭
Representation Casting25

The cast includes French actors of North African descent in supporting roles, but the film centers on a white American protagonist and does not foreground diverse representation as a theme.

🏳️‍🌈
LGBTQ+ Themes20

Allison's relationship with her roommate Lina is a same-sex romance, but it functions as a plot device rather than a sustained LGBTQ+ theme.

✊
Racial Consciousness15

The Marseille setting includes North African characters and a Black professor, but race is not examined as a social issue.

👑
Feminist Agenda10

The film features women in supporting roles such as a lawyer and a single mother, but the narrative is driven by the father's perspective and lacks a feminist agenda.

📖
Revisionist History10

The film is loosely inspired by the Amanda Knox case but fictionalizes key facts, which Knox criticized as distorting her story; however, it does not engage in broader historical revisionism.

📢
Lecture Energy10

The film is a character-driven drama that avoids overt preaching or social messaging.

💰
Eat the Rich5

Bill is a laid-off oil worker facing economic precarity, but the film does not critique capitalism or the wealthy.

🌱
Climate Crusade0

No climate change themes are present.

💗
Body Positivity0

No body positivity themes are present.

🧠
Neurodivergence0

No neurodivergence themes are present.

Why it received this score

Tom McCarthy's Stillwater sends an Oklahoma roughneck named Bill Baker to Marseille, where he loiters outside a prison, mistranslates his way through a legal system he cannot parse, and gradually installs himself in the life of a French single mother and her daughter. The film is a fish-out-of-water character study with a crime plot bolted to the side. Matt Damon plays Bill as a man of few words and poor judgment, and the movie watches him with patience. No sermons are delivered. The camera simply follows a large American through narrow streets.

The social inventory is modest. North African actors fill supporting roles as informants and residents of the Kalliste housing projects, and a Black professor supplies a crucial lead, but the film treats Marseille's demographics as backdrop, not argument. Allison's prison sentence stems from the murder of her roommate and lover, Lina, a same-sex relationship that functions as a case file instead of a sustained theme. Women surround Bill (a lawyer, a translator, a landlady) and none of them get to steer. The perspective belongs to the father, and it stays there.

Politics arrive only as texture. Bill is a laid-off oil worker with a bad back and a worse credit history, yet the script never converts his precarity into a critique of the system that produced it. There is no climate reckoning and no lecture. The film's real controversy is external: Amanda Knox objected that the story borrows her ordeal and then invents a daughter who is guilty after all. That is a fair complaint about a movie that declines to moralize about anything, including its own borrowings.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Tom McCarthy
Cast: Matt Damon, Camille Cottin, Abigail Breslin, Lilou Siauvaud, Deanna Dunagan, Moussa Maaskri, Anne Le Ny, Idir Azougli
Genres: Drama, Crime, Thriller
Studios: Participant, DreamWorks Pictures, Slow Pony, Anonymous Content, 3dot Productions, Supernatural Pictures, Mandate International, Firstep

Synopsis

Bill Baker, an American oil-rig roughneck from Oklahoma, travels to Marseille to visit his estranged daughter, Allison, who is in prison for a murder she claims she did not commit. Confronted with language barriers, cultural differences, and a complicated legal system, Bill builds a new life for himself in France as he makes it his personal mission to exonerate his daughter.

Questions about Stillwater

Is Stillwater woke?

No — Stillwater is not woke, scoring 13 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Stillwater have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 25.

How does Stillwater compare to other 2021 movies?

It ranks #144 of the 242 films from 2021 we've scored; their average is 23. The wokest is The Forever Purge (83).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

Related rankings