WMS

Someone Great (2019)

Directed by Jennifer Kaytin Robinson

No — Someone Great is not especially woke, scoring 33 out of 100 on our wokeness meter.

Someone Great arrives from Netflix with the modest ambitions of a hangover comedy and the emotional register of a eulogy for a nine-year relationship.

Consciousness Markers

🏳️‍🌈
LGBTQ+ Themes58

Erin's arc centers on her relationship with girlfriend Leah and her fear of commitment, with an on-screen reconciliation; the queer storyline is a genuine, integrated subplot rather than a token gesture.

🎭
Representation Casting52

A Latina lead (Gina Rodriguez) anchors a deliberately diverse ensemble including Black co-leads DeWanda Wise and LaKeith Stanfield, plus RuPaul, Michelle Buteau, and Jaboukie Young-White, though the diversity is largely unremarked-upon rather than foregrounded as a statement.

👑
Feminist Agenda45

A female writer-director and a plot built entirely around the bond between three women, with a career-driven protagonist choosing her dream job over a man; the female-friendship ethos is central but not delivered as an explicit ideological thesis.

✊
Racial Consciousness12

The cast is notably multiracial, but the film makes no commentary on race, systemic issues, or racial identity; characters simply exist in a diverse New York milieu.

📢
Lecture Energy12

The film is a breezy, music-driven romcom that prioritizes charm and relatability over messaging; any thematic points about friendship and growing up are dramatized rather than preached.

🌱
Climate Crusade0

No environmental or climate themes whatsoever.

💰
Eat the Rich0

No critique of wealth, capitalism, or class structures; the protagonist's arc is toward a prestigious media job.

💗
Body Positivity0

No body-image or body-positivity themes present.

🧠
Neurodivergence0

No neurodivergent characters or themes.

📖
Revisionist History0

A contemporary romantic comedy with no historical subject matter to revise.

Why it received this score

Someone Great arrives from Netflix with the modest ambitions of a hangover comedy and the emotional register of a eulogy for a nine-year relationship. Jennifer Kaytin Robinson writes and directs her own debut, which is itself a quiet statement, and she hands Gina Rodriguez the role of Jenny, a music journalist who lands her dream job at Rolling Stone and loses her boyfriend in the same week. The plot is a single day of drinking, ticket-hunting, and crying in public restrooms. It is a female friendship story told without apology, and the friendship is the point.

The casting is diverse in the casual manner of contemporary New York, with Black co-leads and a Latina protagonist sharing scenes as though the city had always looked this way. Erin's arc, in which she avoids her girlfriend Leah before finally admitting what she wants, treats queerness as ordinary life instead of a teaching moment. Blair's breakup unfolds with similar restraint. None of this is announced. There is no scene in which a character explains the theme to the audience, which is a rarer virtue than it ought to be.

Where the film scores low is where most breezy romcoms score low. It has no interest in climate, class, body image, or neurodivergence. It offers no historical revision, because it has no history to revise. Its politics are the politics of a good playlist and a long night out. Whether that constitutes a failure depends on what we ask of a movie about three women saying goodbye. The film answers with a shrug and a Lizzo needle drop, and honestly, that is enough.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Jennifer Kaytin Robinson
Cast: Gina Rodriguez, Brittany Snow, DeWanda Wise, Peter Vack, RuPaul, LaKeith Stanfield, Alex Moffat, Rebecca Naomi Jones
Genres: Comedy, Romance
Studios: Likely Story, Feigco Entertainment, I Can & I Will Productions

Synopsis

An aspiring music journalist lands her dream job and is about to move to San Francisco when her boyfriend of nine years decides to call it quits. To nurse her broken heart, she and her two best friends spend one outrageous last adventure in New York City.

Questions about Someone Great

Is Someone Great woke?

No — Someone Great is not especially woke, scoring 33 out of 100 on our wokeness meter. That earns it a verdict of Based.

Does Someone Great have any woke elements?

3 of the 10 markers register at 30 or above, led by LGBTQ+ Themes (58), Representation Casting (52) and Feminist Agenda (45). On LGBTQ+ Themes: Erin's arc centers on her relationship with girlfriend Leah and her fear of commitment, with an on-screen reconciliation; the queer storyline is a genuine, integrated subplot rather than a token gesture.

How does Someone Great compare to other 2019 movies?

It ranks #70 of the 284 films from 2019 we've scored; their average is 22. The wokest is Black Christmas (79).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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