WMS

Cosmic Sin (2021)

Directed by Edward Drake

No — Cosmic Sin is not woke, scoring 5 out of 100 on our wokeness meter.

Cosmic Sin unfolds in the year 2524, roughly four centuries after the first Mars colony and roughly ninety minutes before the audience begins checking the exit signs.

Consciousness Markers

🎭
Representation Casting12

The cast is overwhelmingly white with a few women (Adelaide Kane, Eva De Dominici) slotted into military roles, but there is no evident diversity-casting intent behind the ensemble.

👑
Feminist Agenda8

Women serve as a captain, a doctor, and a technician, but they function as standard genre roles with no feminist framing or commentary.

📢
Lecture Energy5

The screenplay delivers exposition about the Alliance, the Q-bomb, and the Sigea as functional plot mechanics rather than moral instruction.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ characters, relationships, or themes appear anywhere in the film.

✊
Racial Consciousness0

The film engages no racial themes, commentary, or dynamics whatsoever.

🌱
Climate Crusade0

Despite a collapsing Mars colony in the backstory, the film offers no environmental or climate messaging.

💰
Eat the Rich0

The antagonist is an alien hive mind and a secessionist colony, not capital or class; no economic critique is present.

💗
Body Positivity0

No body-positivity themes or messaging are present.

🧠
Neurodivergence0

No neurodivergent characters or themes are depicted.

📖
Revisionist History0

The film is entirely fictional and makes no historical claims to revise.

Why it received this score

Cosmic Sin unfolds in the year 2524, roughly four centuries after the first Mars colony and roughly ninety minutes before the audience begins checking the exit signs. Bruce Willis plays General James Ford, a retired officer hauled back into service when an alien presence infects the miners of planet 4217LYA. There is a Q-bomb. There is a tachyon pulse. There is a hive mind called the Sigea offering humanity assimilation or death, a choice that tends to resolve itself. The film was panned, the Razzie awarded to Willis for his 2021 output was later rescinded out of human decency, and the whole enterprise carries the air of a tax document with spaceships.

From a cultural standpoint the film is nearly a blank slate, and the audit is brief. The cast is overwhelmingly white, with Adelaide Kane and Eva De Dominici slotted into military roles that amount to set dressing in tactical vests. Women serve as a captain, a doctor, and a technician, yet the screenplay provides no framing for this beyond the ordinary mechanics of genre staffing. There is no LGBTQ+ presence, no racial dynamic, no environmental argument, though a collapsed Mars colony sits in the backstory, available and unused. The villain is a parasitic hive mind, not a corporation, so no economic critique materializes. No body-positivity thread. No neurodivergent character. No historical claim to revise. The rest is exposition.

The screenplay explains itself constantly: the Alliance, the secession of Zafdie, the Q-bomb that killed seventy million, the Icarus suits, the quantum gate. This is not moral instruction, just a briefing delivered at volume. A film like this could have sermonized about empire, vengeance, or the cost of colonization. It chooses instead to move soldiers from corridor to corridor and detonate things. For the cultural ledger, that is a modest entry. We are left with a science fiction picture notable chiefly for how little it asks of us, morally or otherwise, and how little it gives back. The final tally sits near zero, which is its own kind of achievement.

Analysis generated by our Consciousness Algorithm

Share this score
Director: Edward Drake
Cast: Bruce Willis, Adelaide Kane, Frank Grillo, Lochlyn Munro, Costas Mandylor, Johnny Messner, Brandon Thomas Lee, Eva De Dominici
Genres: Science Fiction, Action, Adventure
Studios: 308 Enterprises, BondIt Media Capital, Buffalo 8, The Exchange

Synopsis

In the year 2524, four centuries after humans started colonizing the outer planets, retired General James Ford gets called back into service when a hostile alien fleet attacks soldiers on a remote planet. The threat against mankind soon escalates into an interstellar war as Ford and a team of elite soldiers try to stop the imminent attack before it's too late.

Questions about Cosmic Sin

Is Cosmic Sin woke?

No — Cosmic Sin is not woke, scoring 5 out of 100 on our wokeness meter. That earns it a verdict of Ultra Based.

Does Cosmic Sin have any woke elements?

Very few. None of the 10 markers reaches 30, the level where a marker counts as present; the highest is Representation Casting at 12.

How does Cosmic Sin compare to other 2021 movies?

It ranks #214 of the 242 films from 2021 we've scored; their average is 23. The wokest is The Forever Purge (83).

How is the Woke Score calculated?

An AI-assisted process researches the film and its reception, scores it 0–100 on ten markers, then combines those into one 0–100 Woke Score. It measures a specific set of 2020s cultural themes, not film quality.

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