WMS

The A-Team (2010)

Directed by Joe Carnahan

🧘4

No Β· Ultra Based

How we score movies β†’

Consciousness Markers

🎭
Representation Casting15

The film features a racially diverse ensemble cast including Quinton Jackson and Jessica Biel in a significant role, but this appears to be standard casting practice rather than intentional representation.

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Feminist Agenda5

Jessica Biel's character is a competent military officer, but she functions within conventional action-movie frameworks with no particular feminist messaging or consciousness.

🧠
Neurodivergence5

Murdock's character is portrayed as mentally unstable and uses 'Mad' as a comedic trait, but this is stereotypical portrayal rather than any genuine engagement with neurodivergence.

πŸ³οΈβ€πŸŒˆ
LGBTQ+ Themes0

No LGBTQ+ themes, characters, or subtext are present in the film.

✊
Racial Consciousness0

The film contains no commentary on race, racism, or racial justice despite featuring a diverse cast.

🌱
Climate Crusade0

No climate-related themes or environmental consciousness is present.

πŸ’°
Eat the Rich0

The film contains no anti-capitalist messaging or critique of economic systems.

πŸ’—
Body Positivity0

No body positivity themes or commentary on physical appearance and worth are present.

πŸ“–
Revisionist History0

No revisionist historical narrative is present in this contemporary action film.

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Lecture Energy0

The film contains no preachy messaging or lecture-like delivery of social themes.

Consciousness MeterUltra Based
Ultra BasedPeak Consciousness
Share this score
Director: Joe Carnahan
Cast: Liam Neeson, Bradley Cooper, Jessica Biel, Quinton 'Rampage' Jackson, Sharlto Copley, Patrick Wilson, Gerald McRaney, Henry Czerny
Genres: Action, Comedy, Crime
Studios: Phoenix Film Partners, Dune Entertainment, Stephen J. Cannell Productions, Top Cow Productions, Scott Free Productions, Big Screen Productions, 20th Century Fox, Ingenious Media

Synopsis

A man who loves when a plan comes together, Col. Hannibal Smith leads a close-knit team of elite operatives and Iraq War veterans. Framed for a crime they didn't commit, Smith and his men, Capt. H.M. 'Howling Mad' Murdock, Sgt. Bosco 'B.A.' Baracus, and Lt. Templeton 'Faceman' Peck, break out and go rogue, using their special talents to clear their names and find the perpetrator. Hot on their trail is Capt. Charissa Sosa, who was once involved with a member of Smith's team and has sworn to capture them, no matter what it takes.

Why it received this score

The A-Team is a spectacularly unconcerned action-comedy that treats social consciousness the way its characters treat military protocol: as a minor inconvenience to be worked around or ignored entirely. Joe Carnahan's 2010 adaptation of the 1980s television series is fundamentally a vehicle for explosions, quippy banter, and the occasional flying tank. The film does feature a racially diverse ensemble cast, including Quinton Jackson stepping into the B.A. Baracus role originally played by Mr. T, and Jessica Biel as a capable military intelligence officer. Yet these casting choices appear to be the result of standard Hollywood diversity practice rather than any meaningful engagement with contemporary progressive sensibilities.

The narrative itself contains no discernible attempt at progressive messaging. The plot concerns Iraq War veterans being framed for a crime, which might have offered an opportunity for commentary on military policy or geopolitical consequences, but the film uses this premise purely as a setup for chase sequences and combat setpieces. The female lead, Capt. Charissa Sosa, is competent and driven, though her character exists in a fairly conventional action-movie framework. There is no discussion of systemic injustice, no interrogation of military violence, no exploration of disability beyond the comedic "Mad" persona of Murdock, and certainly no climate consciousness.

This is a film that knows exactly what it is: summer entertainment designed to move merchandise and provide a few hours of narrative white noise. It is neither progressive nor regressive, merely agnostic. The woke score reflects not a particularly offensive work, but one so thoroughly committed to apolitical entertainment that it barely registers on any scale measuring cultural awareness at all.

Analysis generated by our Consciousness Algorithm

Critic Reviews

47%from 37 reviews
Tampa Bay Times91

β€œThe A-Team is literally a blast, from the opening credits containing more thrills than the average shoot-\'em-up (and more laughs than some comedies), to a climactic orgy of CGI destruction.”

β€” Steve PersallRead Full Review β†’
Entertainment Weekly83

β€œThe whole movie is a diversionary activity. It\'s trash so compacted it glows.”

β€” Owen GleibermanRead Full Review β†’
Time80

β€œYou could also say the picture lacks a coherent plot and complex characterization, but those are irrelevant to the genre. The movie is like a superior athlete who gets tongue-tied in a post-game interview but on the field is poetry in motion.”

β€” Richard CorlissRead Full Review β†’
Village Voice10

β€œConvoluted, overstuffed, turned up to 11, and yet, somehow, deadly dull--in other words, white noise.”

β€” Robert WilonskyRead Full Review β†’

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