WMS

Game Night

2018 · Directed by John Francis Daley

🧘4

Woke Score

66

Critic

🍿71

Audience

Ultra Based

Critics rated this 62 points above its woke score. Among Ultra Based films, this critic score ranks #727 of 1469.

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Synopsis

Max and Annie's weekly game night gets kicked up a notch when Max's brother Brooks arranges a murder mystery party -- complete with fake thugs and federal agents. So when Brooks gets kidnapped, it's all supposed to be part of the game. As the competitors set out to solve the case, they start to learn that neither the game nor Brooks are what they seem to be. The friends soon find themselves in over their heads as each twist leads to another unexpected turn over the course of one chaotic night.

Consciousness Assessment

Game Night is a competent genre exercise that commits to none of the cultural awareness markers we have come to expect from contemporary cinema. The film assembles a notably diverse cast, which one might observe, though this appears to be the result of conventional Hollywood casting rather than any particular commitment to representation as a thematic concern. Jason Bateman and Rachel McAdams carry the film through a labyrinthine plot that twists and turns with the precision of a Swiss watch, but never pauses to consider the social implications of anything occurring on screen.

The narrative operates entirely within the realm of suburban comedy and crime caper, offering no commentary on gender dynamics, sexuality, economic systems, or any other marker of contemporary progressive sensibility. Rachel McAdams' character is competent and clever, but her competence is treated as a character trait rather than a statement about female agency. The ensemble cast members, including Lamorne Morris and Kylie Bunbury, function as comedic foils and scene partners without any exploration of their characters' identities as anything other than puzzle-solving participants.

This is a film about game mechanics and mystery plotting, executed with technical skill but zero interest in the cultural conversations that define modern cinema. The humor derives from situational absurdity and character interaction, not from any interrogation of power structures or identity. Game Night is the embodiment of surface-level entertainment, and there is a certain integrity in that commitment to frivolity.

Analysis generated by our Consciousness Algorithm

Critic Reviews

66%from 41 reviews
Village Voice100

Mark Perez has written one of the tightest comedy scripts to make it to be the big screen in ages. Game Night, directed by John Francis Daley and Jonathan Goldstein, wastes not a single second of dialogue, gives killer lines to every member of its all-star ensemble, delivers genuinely tense action sequences, and even goes for broke with style.

April WolfeRead Full Review →
TheWrap92

Fast and funny, filled with memorable characters, and able to balance slapstick and violence without spilling too far in either direction, this frenetic R-rated farce is that rare comic gem that lands on all the spaces without ever going to jail.

Alonso DuraldeRead Full Review →
IGN90

It takes real intelligence to make the best dumb jokes. Game Night has plenty of both, combining skilled filmmaking and ridiculous gags in equal measure, and letting the seriousness and silliness play off of each other for maximum effect.

William BibbianiRead Full Review →
Paste Magazine40

Bateman and McAdams have some fun with the gonzo goofiness of the project, and milk a couple of comedy set-pieces—like one about a gunshot wound and a squeaky toy—but the flatness of their characters leaves no room for relatability.

Oktay Ege Kozak Read Full Review →